With flesh being my focus, I find it necessary to show the layers. To let the complexion be not just one color choice, but dozens instead. Veins, muscles, fats, tans, and freckles cause subtle hue and value changes all over the body. It's never always "flesh tint" from the tube. As I may exaggerate these subtleties, my process starts with vibrancy. As my paint thins with the layers, it allows an often glow to shine through. Which, to me is a lovely resolution. However, as one that prefers privacy in the studio, I find it hard when these unfinished pieces are seen without their epidermis complete. But for this instance, I think it's okay for you to see. Many of my pieces go through this transformation.